诱饵2019
类型:剧情 / 地区:英国 / 年份:2019
主演:Morgan,Val,Baker,Georgia,Ellery,Martin,Ellis,Chloe,Endean,St
导演:马克·詹金
更新:2026-10-16
简介:
康沃尔渔(🌠)
康沃尔渔(🌠)村(👷)的风(fēng )景(⛲)明信片田园诗误导了(le )人们(men )。虽然过去钓(🔱)鱼(🕰)是一种养家糊(🎗)口的方(🥈)式,但(dàn )如今(jīn )富有的伦(🥩)敦游客(kè )纷纷下(xià )(👋)山,取(🎏)代了当(🏇)地人(rén ),当(dāng )地人(⚫)的生计因此受到(🗄)威胁。史蒂文(🙍)和马(✳)丁兄弟的关(guān )系也很紧张。马丁是一(😚)个(gè )没有船的渔夫,因为(🕕)史蒂文开始用(💞)它来为一整天的(de )游(🥁)客(kè )提(tí )供更赚(⏯)钱(qián )的旅游。他们(men )卖掉了这座家(💻)庭(tíng )别墅,现在看(kàn )来(lái ),最后一场(chǎng )战斗是和新(xīn )主人(⏰)在海边(⛏)的(de )停车位(wèi )上展(🚻)开。然而,情(👺)况很快就(jiù )失(shī )控(🕐)了,而不仅仅是因为车轮(🤘)夹(jiá )(🈁)钳。 Bait是一种(zhǒng )黑(🐾)白,手(🈸)工制作(zuò ),16毫米胶片制作(zuò )的电(🚶)影(💹)。许多(💯)关于鱼、网(wǎng )、龙虾(xiā )、长靴、绳结和渔(yú )篮的特写镜头让(ràng )人想(xiǎng )起了蒙(méng )太奇景点的理论。对(👄)不同(tóng )社(🖍)会(huì )阶(jiē )(💣)层(🔥)的描述——可(kě )以(yǐ )说是阶级关系——也(yě )让人想起了(🛃)英国电影(💅)中的社会现实(shí )主义传(🚤)统。然而,最(💁)重要的是(shì ),在影像(🔬)中不同层次(cì )的电(🐌)影历史参考文献之下(✒),当前(qián )许多政(🍾)治关(🎞)联正(📯)在等待(👆)被发现。 (🐣)The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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