主演：Morgan Val Baker Georgia Ellery Martin Ellis Chloe Endean St
导演：马克·詹金
类型：剧情
地区：英国
年份：2019
简介：康沃尔(ěr )渔村的风景明信片(piàn )田园诗误(🐌)导了人们(men )。虽然过去钓鱼是一种养家糊口的(🆖)方式，但如今(🔬)富(🏴)有的伦(🥩)敦游(yóu )客纷纷下山(shān )(⏬)，取(qǔ )(🎏)代(dài )(❣)了当地人(rén )，当地人(rén )的生(shēng )计因此(cǐ )受到威胁。史(shǐ )蒂文和(💆)马丁兄弟的关(guān )系也(yě )很(🕌)紧(🛺)张。马丁是一个没(✖)有船的渔夫，因为史(shǐ )蒂文开始(shǐ )用它(⏺)来(🚢)为一整(🧚)天的(de )(🔩)游客(kè )(🌚)提供更(gèng )赚钱的旅游。他们卖(🎛)掉(🌊)了这(🥎)座家(💻)庭别墅(📙)，现在看来，最后(hòu )一场(㊙)战斗是和新主人(rén )在海边(biān )(⛏)的停车位上展开。然而，情况很快(🤳)就(🎋)失控了，而不仅仅是因为车轮(🤘)夹钳。 Bait是(🛎)一(💍)种(zhǒng )黑白，手(🈸)工制作，16毫米胶(🤷)片制作的(de )电影。许多(duō )关于鱼(yú )、网、龙(lóng )虾(🈺)、长(zhǎng )靴、绳结和渔篮(👌)的特(📸)写镜(🔷)头让人想(xiǎng )起了(🍽)蒙太(tài )奇景(🚲)点的理(🌂)论(lùn )。对不(🐖)同(🆙)社(shè )(🖍)会阶层的描述(shù )(📞)——可以说(shuō )是阶级关系——也让人(rén )想(xiǎng )(🐂)起了英国电影(💅)中的社会现实主义传统(tǒng )。然而(ér )，最重要(yào )的是，在影像(🔬)中不同层(céng )(💕)次的(🚪)电影历史参(👼)考文献之下，当前许多政治关联正(📯)在等待被(bèi )发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.